From SOC Magazine, Spring / Summer 2010
The success of James Cameron's Avatar has ignited interest in 3D camera systems and the parts to produce these systems. The early adopters of 3D had to design and manufacture the rigs but in many cases repackage the cameras to get the desired results. I have had the pleasure of being around a large group of the early adopters of these systems and have witnessed the issues of packaging existing products into workable 3D systems.

From SOC Magazine, Spring / Summer 2009
The transition to High Definition and its many transmission formats have created a dilemma for the freelance cameraperson. I am often asked, what camera or camcorder should I own? Unlike the day when a freelance cameraperson would draw most of his work from one network, today's freelancer must be able to answer the call from any of the various programs and networks.

From SOC Magazine, Fall / Winter 2008
Do l need a DIT when working in HD? The honest answer to this question is maybe. While I am a proponent of the DIT (Digital Imaging Technician) position for multicamera episodic and feature productions, I would not consider it a requirement for the normal single-camera documentary or natural history productions.