Post Production Tools

Fast Ruggedized Portable DC or AC operated 1 Beyond TapelessWorkflow Transfer and DDR System. Includes: Rugged Brushed Aluminum case with 7" touch screen with 1 Beyond Wrangler automatic Tapeless Ingest and Dual - Triple Verify Software.

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1 Beyond™ Wrangler Mini™ 3D DDR / Viewer is an ideal on-camera recording solution for professionals shooting in 2D and 3D.

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Julst like the Codex Digital Lab, the Codex Desktop Transfer Station for Mac OS X is the hub of your file-based workflow.

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It’s a digital film-lab-in-a-box, and the hub of your tapeless workflow. The Codex Digital Lab can be easily configured to automatically provide a full set of deliverables – everything you need for your production and post, from viewing copies to archives

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The Codex Vault series is the next generation, modular, location-based media management environment. Fast transfers, automated production management, full reporting, rugged design and a compact size make the Codex Vault the hub of any on-set or near-set file based workflow. The Codex Vault supports digital cinema cameras made by ARRI, Sony, Canon and other industry leaders. It is a standalone solution requiring no external drives or processing. It is designed to eliminate much of the complexity involved in designing workflows while taking full advantage of the efficiencies of file-based production and the ability to share rich metadata.

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The new field production solution for on set or location workflows. The FlashDock mounts and plays back field recorded FlashMags from OB-1. It’s a single source solution for all post tasks.

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The S.two FlashPort I is the economical solution for transferring ARRIRAW or DPX files from the FlashMag to your post production pipeline.

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The SRW-5500/2 is a dual format high definition VTR. It utilizes the latest generation of the MPEG4 Studio Profile codec for the SR format, but it can also record to the well proven HDCAM format.

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Sony HDCAM-SR VTRs - the RGB 4:4:4 full-bandwidth HD VTRs at the top of the Sony VTR line-up - have a critical role as a master format for movies, commercial productions, and high-end TV.

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