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Monday, May 29, 2017
  • ZM-ZF8


BP #: ZM-ZF8  |  MFR #: ZF8

Availability: Call for availability


Quick Overview

The F8 is made for serious filmmakers and sound designers. With 8-input/10-track recording, super low-noise preamps, and support for 24-bit/192kHz audio, the F8 captures the highest-quality audio


The Zoom F8 For Filmmaking and Sound Design Advances in video have made filmmaking accessible to creators everywhere. But the accessibility of professional audio devices has not kept pace. Field recorders, with essential features such as time code, have been unobtainable for most. Until now. The F8 is made for serious filmmakers and sound designers. With 8-input/10-track recording, super low-noise preamps, and support for 24-bit/192kHz audio, the F8 captures the highest-quality audio.

The F8 provides every option you need to create professional field recordings: Phantom power (+24V/+48V) can be turned on and off for each preamp individually. Plug in any Zoom mic capsule. 10 tracks—8 input channels, plus a stereo mix track*—allow you to simultaneously record stereo and surround sound. An onboard mixer with flexible routing of all inputs and outputs (pre- and post-fader). Each channel has controls for pan, input/output delay, filtering, and limiting. The F8 can be mounted to a tripod and attached to your camera using the included mounting bracket. * Stereo mix track not recorded when 192 kHz sampling rate is selected Dual SD card recording Record on two SD/SDHC/SDXC cards*, up to 512 GB each, simultaneously, allowing you to instantly backup or split recordings (for example, save eight tracks onto one card and a stereo mix onto another). * View a list of confirmed compatible SD cards. Three power sources A 4-pin Hirose connector allows the use of external 9-16 volt DC battery packs. Internal power is provided by 8 AA batteries. The F8 can switch power sources from a DC battery pack to the AA batteries at a user-defined voltage level for uninterrupted recording. You can also use the supplied 12 volt AC adapter when not on the go. File protection Files are saved periodically during recording. This provides an extra level of protection in the event of unexpected file interruption, for example, power loss or the removal of an SD card. Dual-channel recording The F8’s dual-channel recording mode allows you to create safety tracks on inputs 1-4, each with independent level, limiting, delay, phase inversion, and high-pass filtering. Pre-record The pre-record function allows you to capture up to 6 seconds of audio before you hit the RECORD button. Out in the field, it's important to be able to quickly check levels as you're recording. With the F8, it's simple. A single display lets you monitor single or multiple tracks, as well as any of the Main or Sub outputs, via a dedicated ¼" headphone jack with a front panel volume control. Signals can be freely routed to the left and/or right headphone channels, pre- or post-fader, and the headphone output can be switched to mono. You can set headphone alert tones for low battery, recording start/stop, or recording errors. The F8 comes equipped with a built-in 100 mW headphone amplifier, allowing you to monitor in the noisiest of environments. *Pictured: Mark Lanza MPSE (Sound Designer Sony Pictures, Vice President - Motion Picture Sound Editors) The F8 is the first field recorder to come with wireless Bluetooth control. The Zoom F8 Control App for iOS provides extensive wireless remote control of the F8 from your iPhone, iPad, or iPod Touch (5th Gen) using Bluetooth LE protocol. Functions include Record, Play, Stop, Fast-Forward, and Rewind, plus mixer pan and fader level. You can also monitor input levels, current time code, and battery status. With Zoom F8 Control, you can rename files, enter metadata, and set date/time information directly from your iOS device. Inputs The F8 provides 8 discrete inputs with locking Neutrik XLR/TRS combo connectors. Each preamp has a dedicated gain control knob, a 6-segment LED level meter, and Record Ready and PFL switch. A 10-pin connector on the rear panel enables the use of Zoom mic capsules, with an optional extension cable that allows for remote positioning. There's also a built-in slate mic and a variable frequency slate tone generator to confirm levels. Outputs In addition to its ¼" headphone jack with dedicated volume control, the F8 provides four outputs: two Main Outs (on balanced TA3 mini-XLR jacks) for connection to external mixers and processing devices; and two Sub Outs (on a single unbalanced ⅛" stereo mini-jack) for connection to a camera. Time code and USB Time code I/O is provided on BNC connectors. A USB port enables firmware updates, file transfer, and allows the F8 to be used as an 8-in/4-out USB audio interface operating at sample rates up to 96 kHz. The F8's menu is easy to navigate and has a simple file structure. Cataloging is straightforward, with extensive metadata (both BWF and iXML), which can be entered directly on the F8 or with the Zoom F8 Control App. Onboard mixer The F8's onboard mixer enables flexible signal routing from all inputs to all outputs, either pre- or post-fader, with user-adjustable level, pan, and input/output delay. In addition to advanced onboard limiters (which can be applied to all channels and tracks simultaneously), the F8 also provides high-pass filtering to reduce the sound of wind and other noise, plus phase inversion and Mid-Side decoding. 8-channel/10-track field audio recorder/mixer 8 discrete inputs with locking Neutrik XLR/TRS combo connectors Compact and lightweight aluminum chassis, weighing just 2 pounds (without batteries) High quality mic preamps with up to 75 dB gain, less than -127 dBu EIN, and +4 dB line inputs Support for up to 24-bit/192 kHz recording as well as 96 kHz, 88.2 kHz, 48k, and 44.1 kHz, plus 47.952 kHz / 48.048 kHz for HD video compatibility; 16-/24-bit resolution Accurate Time Code (0.2 ppm) I/O on standard BNC connectors; dropframe/non-drop formats with Jam Sync Three different power supply options: 8x AA batteries, external DC battery pack with Hirose connector, or 12V AC adapter (AA’s and DC battery pack not included) Automatic switching of power source from DC to batteries at user-defined voltage levels Dedicated gain control knob, 6-segment LED level meter, and PFL/Solo switch for each channel Phantom power (+48V/+24V) on every preamp Advanced onboard limiters for input and output High pass filter, phase invert, and Mid-Side decoder Input delay of up to 30 msec per channel / output delay of up to 10 frames per output Compatible with Zoom microphone capsules; optional extender cable enables remote positioning Dual mini-XLR (TA3) balanced Main Outs plus ⅛" stereo mini-jack Sub Out Dedicated headphone output (100 mW) with front panel volume control 2.4" full-color backlit LCD with monochrome mode Dedicated PFL display with viewable trim settings Dual SD/SDHC/SDXC card slots, up to 512 GB each Records in BWF-compliant WAV or MP3 file formats Support for extensive metadata (BWF and iXML); input time, date, project, scene number, etc. Built-in slate mic/slate tone with front panel switch Built-in tripod mount; camera mount adapter also included Use as an 8-in/4-out USB audio interface (@ 96 kHz) Free Zoom F8 Control App for iOS allows wireless remote control, file renaming, and metadata entry Here's what comes included with the F8 Camera mount adapter Zoom AD-19 12V AC Adapter Operation manual TA3 to XLR cable x2 Cubase LE and WaveLab LE download codes Optional F8 Accessories Zoom F8 Field Bag (PCF-8) Zoom mic capsule extender cable XYH-5 X/Y mic capsule XYH-6 X/Y mic capsule MSH-6 Mid-Side mic capsule SGH-6 Shotgun mic capsule SSH-6 Stereo Shotgun mic capsule

Recording Media Dual SD card slot supports: 16 MB–2 GB SD cards 4 GB–32 GB SDHC cards 64 GB–512 GB SDXC cards INPUTS: 1-8 Connectors: XLR/TRS combo jacks (XLR: 2 hot, TRS: TIP hot) INPUTS: XLR (MIC) Input gain: +10 – +75 dB Input impedance: 3.3 kΩ Maximum input level: +14 dBu (at 0 dBFS, limiter ON) Phantom power: +24/+48V 10mA maximum for each channel THD (Total Harmonic Distortion): 0.009% max (1kHz, 22Hz-22kHz BW, Input Gain min, -10dBu input) INPUTS: TRS (LINE) Input gain: −10 – +55 dB Input impedance: 28 kΩ Maximum input level: +34 dBu (at 0 dBFS, limiter ON) THD (Total Harmonic Distortion): 0.010% max (1kHz, 22Hz-22kHz BW, Input Gain min +10dBu input) INPUTS: Additional Info Equivalent input noise: −127 dBu or less (A-weighted, +75 dB input gain, 150Ω input) Frequency characteristics: 10 Hz – 80 kHz +0.5 dB/−1 dB (192 kHz sampling rate) A/D dynamic range: 120 dB typ (−60 dBFS input, A-weighted) Crosstalk: −90 dB or less (between adjacent channels, 1 kHz) MIC IN: ZOOM mic capsule input (use disables Inputs 1/2) SLATE MIC: Built-in mic for voice memos can freely be assigned to tracks OUTPUTS: MAIN OUT 1/2 Connectors: TA3 connectors, balanced output (2: hot) Output impedance: 150 Ω or less Reference output level: −10 dBV (Normal Output Type), −40 dBV (Mic Output Type), 1 kHz, 600Ω load Maximum output level: +10 dBV (Normal Output Type), −20 dBV (Mic Output Type), 1 kHz, 600Ω load OUTPUTS: SUB OUT 1/2 Connector: 3.5 mm stereo mini unbalanced output jack Output impedance: 100 Ω or less Reference output level: −10 dBV (Normal Output Type), −40 dBV (Mic Output Type), 1 kHz, 10kΩ load Maximum output level: +10 dBV (Normal Output Type), −20 dBV (Mic Output Type), 1 kHz, 10kΩ load HEADPHONE Connector: 1/4" unbalanced stereo output jack Output impedance: 15 Ω or less Maximum output level: 100 mW + 100 mW (32Ω load) D/A D/A dynamic range: 106 dB typical (−60dBFS input, A-weighted) Recording formats: When WAV selected Supported formats: 44.1/47.952/48/48.048/88.2/96/192kHz, 16/24-bit, mono/stereo/2-10 ch poly, BWF and iXML Maximum simultaneous recording tracks: 10 (8 inputs + stereo mix) 8 (with 192 kHz sampling rate) Recording formats: When MP3 selected Supported formats: 128/192/320 kbps, 44.1/48 kHz, ID3v1 tags Maximum simultaneous recording tracks: 2 Recording time Using a 32GB card: 30:51:00 (48 kHz/24-bit stereo WAV) 7:42:00 (192 kHz/24-bit stereo WAV) Time code Connector: BNC Modes: Off, Int Free Run, Int Record Run, Int RTC Run, Ext, Ext Auto Rec (audio clock can be synchronized to timecode) Frame rates: 23.976ND, 24ND, 25ND, 29.97ND, 29.97D, 30ND, 30D Precision: ±0.2 ppm Supported input levels: 0.2 – 5.0 Vpp Input impedance: 4.6 kΩ Output level: 3.3 Vpp Output impedance: 50 Ω or less Power supplies Batteries: 8 AA AC adapter: AD-19 DC12V 2A (center plus) External DC power supply: HIROSE HR10A-7R-4S 4-pin connector (1 pin: −, 4 pin: +), 9–16 V Continuous recording time: When recording 2 channels at 48kHz/16-bit without headphones Alkaline batteries: 8.5 hours or more NiMH (2450mAh): 10 hours or more Lithium batteries: 12.5 hours or more Continuous recording time: When recording 8 channels at 48kHz/24-bit with headphones Alkaline batteries: 4.5 hours or more NiMH (2450mAh): 6 hours or more Lithium batteries: 8.5 hours or more Continuous recording time: When recording 8 channels at 192kHz/24-bit with headphones, phantom power and display backlighting Alkaline batteries: 1 hour or more NiMH (2450mAh): 2 hours or more Lithium batteries: 3 hours or more Display 2.4" full-color LCD: 320x240 USB: Mass storage operation Class: USB 2.0 High Speed USB: Multitrack audio interface operation (driver required for Windows, not required for Mac) Class: USB 2.0 High Speed Specifications: 44.1/48/96 kHz, 16/24-bit, 8-in/4-out USB: Stereo Mix audio interface operation (no driver required) Class: USB 2.0 Full Speed Specifications: 44.1/48 kHz, 16-bit, 2-in/2-out Note: iPad audio interface operation supported (Stereo Mix mode only) External dimensions Main unit: 7.0 in. (W) × 5.5 in. (D) × 2.1 in. (H) 178.2 mm (W) × 140.3 mm (D) × 54.3 mm (H) Weight Main unit only: 2.1 pounds (960 g)