October 19, 2010
Film & Video's Bryant Frazer delves into the digital workflow that made the filming of Danny Boyle's "127 Hours" possible. Remote locations in the desert, confined spaces for camera work. Boyle and his crew made it work with the help of Silicon Imaging's SI-2K camera and recording and data management from Cinedeck and 1 Beyond.
http://www.studiodaily.com/filmandvideo/currentissue/127-Hours-Digital-Workflow-in-the-Desert_12652.html
Bryant Frazer
Film & Video