Director Danny Boyle and DP Anthony Dod Mantle forced Actor James Franco into such a tight space that they barely had room for the camera. Film & Video's Bryant Frazer continues his coverage of technology used on Danny Boyle's "127 Hours," by examining how the crew was able to make a film that primarily took place is a tight, narrow canyon in the desert.
October 19, 2010 Film & Video's Bryant Frazer delves into the digital workflow that made the filming of Danny Boyle's "127 Hours" possible. Remote locations in the desert, confined spaces for camera work. Boyle and his crew made it work with the help of Silicon Imaging's SI-2K camera and recording and data management from Cinedeck and 1 Beyond.
