
Try & Buy the Horseman TS-Pro
Band Pro is currently offering a free Try & Buy program for our new Horseman TS-Pro tilt and shift lens system designed specifically for digital cinematography.

Band Pro is currently offering a free Try & Buy program for our new Horseman TS-Pro tilt and shift lens system designed specifically for digital cinematography.

Studio Daily correspondent and Digital Cinema Society President James Mathers interviews Band Pro's Seth Emmons about new products and announcements from Band Pro at NAB 2011.
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Demo footage of the new Leica Summilux-C lenses captured with a Sony F35 camera by Band Pro's own Randy Wedick.
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Demo footage of the new Leica Summilux-C lenses captured with Red Epic camera by cinematographer Tom Lowe.
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Demo footage of the new Leica Summilux-C lenses captured with Arri Alexa camera by cinematographer Harris Savides, ASC.
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The OB-1 Onboard Recorder from S.two has received full ARRIRAW certification from ARRI for the Alexa and D-21.
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Convergent Design has just announced the new Gemini 4:4:4 Uncompressed Recorder. Starting at just $5995, this solid state recorder is set to take the industry by storm.
Codex Digital Recorders now available for rental from ARRI CSC in combination with their Arri Alexa digital cinema cameras.
A select group of intrepid reporters have journeyed to the Sony factory in Atsugi, Japan for a glimpse behind the curtain at Sony's future tech and what we can expect to see at NAB. Although they have been prevented from taking photos, they are talking about what they've seen.
DV Magazine taps Band Pro's Randy Wedick for a look at tapeless workflow, on set and off set data management, and how to emulate the best practices of major directors like David Fincher (The Social Network) and Joseph Kosinski (TRON: Legacy).

Band Pro East had the Leica Summilux-C lenses for only a few days, but put them to good use with demos at the office and shooting in the city streets.
Industry veterans Jeff Cree (Band Pro), Eva Paryzka (Thales Angenieux), Larry Thorpe (Canon) and Thom Calabro (Fujinon) weigh in on the ever-improving quality of cinema lenses, higher resolution digital cameras and the difference between light hitting film and light hitting a digital sensor.
