Watch the making of the new Duracell "Tornado" Commercial, shot with the F35!
The Converter
- 7/21/11, 12:06 PM
Watch the making of the new Duracell "Tornado" Commercial, shot with the F35!

Watch the trailer for the new film Tron Legacy. The film was captured in stereoscopic 3D using primarily Sony's F35 digital cameras.
This past Super Bowl Sunday two of the Sony F35 cameras owned by Cine Photo Tech were out working on a network pilot in Atlanta. When owner Brian McGraw received a call from the production saying that one of the cameras had gone down, McGraw didn’t have many options.
More productions are flocking to Atlanta. CPT has one of the most in-demand digital cameras waiting for them when they arrive.
The Sony F35 camera package was a perfect fit for Lucas film’s upcoming WWII epic, Red Tails, the fictional story inspired by the historic and heroic exploits of America’s first all-black aerial combat unit.
New York, New York. October 2009. When cinematographer Vanja Cernjul got together with New York-based rental house TCS to prep the new season of Showtime’s Nurse Jackie, the team chose to pair the Sony F35 camera with the OB-1 and FlashMag from S.two.
When the network asked cinematographer Gordon Lonsdale to take the hit series Bones to HD, he thought that the Sony F35s he could get from Otto Nemenz would be the best full-frame digital cameras for the job. To confirm his choice, Londsdale turned to Band Pro’s Jeff Cree.
Band Pro is pleased to announce that renowned rental house Otto Nemenz International has taken delivery of ten new Sony F35 cameras. The F35 CineAlta camera system captures "10-bit"; and "1 to 50fps" 4:4:4 images from a single Super 35 size sensor at variable frame rates from 1-50fps. The sensor size allows cinematographers to use familiar and comfortable 35mm PL mount optics.
The New York based professional company, TCS (Technological Cinevideo Services), recently took delivery of the new Sony F35 camera.
When New York-based Lost Highway Films realized that 25 percent of their commercial client base was moving toward the digital world, producer Marc Rosenberg and his partners immediately contacted Eric Schietinger at TCS for advice.

Now with 12-bit processing and 800 EI
Sony continues to enhance the performance of its F35 digital cinematography camera