Recorders and Workflow/Data Management Solutions from Codex Digital are popping up on productions around the country. And they've brought in post production veteran Sarah Priestnall to keep the momentum going.
Intrepid freelance reporter Carolyn Giardina's article for Createasphere breaks down the Episodic Television market by each production's camera of choice.
Director Danny Boyle and DP Anthony Dod Mantle forced Actor James Franco into such a tight space that they barely had room for the camera. Film & Video's Bryant Frazer continues his coverage of technology used on Danny Boyle's "127 Hours," by examining how the crew was able to make a film that primarily took place is a tight, narrow canyon in the desert.
October 19, 2010
Film & Video's Bryant Frazer delves into the digital workflow that made the filming of Danny Boyle's "127 Hours" possible. Remote locations in the desert, confined spaces for camera work. Boyle and his crew made it work with the help of Silicon Imaging's SI-2K camera and recording and data management from Cinedeck and 1 Beyond.
Recently City 3D in Mexico City began researching stereoscopic production in order to create in-house, end-to-end operation. Read how they did it.
From Film & Digital Times, Issue 35, September 2010
From the Assumption of Mary in “Correggio’s Dome” on page 12, we travel to the actual location in Jerusalem where the scene may have taken place (above, left). We’re at the epicenter of the world’s three major religions, and I’m an accidental tourist with (above, right) Helmut Lehnhof of ZEISS, Alfred Piffl of P+S Technik, Trevor Steele of EMIT, and a group of colleagues attending Band Pro Israel’s Expo and Open House.
Band Pro took the SI-3D camera system out for a spin recently, with the help of DP Sean Sundry and a local BMX team.
Band Pro has long been known as the home of high definition and one of the earliest adopters of HD camera technology. Now the revolution's going file-based.
Band Pro’s stand at IBC 2010 was loaded with production tools for HD and beyond. There were Cine lenses from Leica, 3D systems from Silicon Imaging and Kerner Optics, PL mount Canon DSLRs from FGV-Schmidle, and Sony’s new SRW-9000PL.
Band Pro's exhibit at IBC 2010 was a great success. We had a ton of new product offerings, a few 3D rig choices, and even some daily visits from our esteemed friends. Check out the pictures from IBC as well as an overview of what we were displaying.
Complete Camera Data Management for Demanding 80-Day Shoot
Amsterdam: August 24, 2010… The MARVIN camera data management system is currently proving itself on a demanding shooting schedule for the high-profile Dutch mini-series Lijn 32 (Route 32).
